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| "The Nightman Cometh" | |
|---|---|
| It's Always Sunny in Philadelphia episode | |
 | |
| Episode no. | Flavor 4 Episode xiii |
| Directed by | Matt Shakman |
| Written by | Charlie Solar day Glenn Howerton Rob McElhenney |
| Production lawmaking | IP04008 |
| Original air appointment | November twenty, 2008 (2008-eleven-20) |
| Guest appearances | |
| |
"The Nightman Cometh" is the thirteenth and terminal episode of It's Always Sunny in Philadelphia's fourth flavor. The episode features a stone opera based on songs written by Charlie Kelly. The episode was later adjusted into a short-lived stage musical in 2009.
Plot [edit]
With a bound in his step, Charlie notifies the gang that he'south written a musical. Dennis and Mac quiz Charlie over his motivations, but the gang desire to play the parts that Charlie has written for them purely out of their own vanity.
Since he is borderline illiterate, Charlie enlists the help of Dee's friend Artemis to transcribe the script into something legible. The gang squabble over which parts to play. Initially, Mac is excited to play The Dayman, merely Dennis goads him into trading parts. Frank is cast equally the troll and Dee is picked to play the princess.
Dee is concerned over the subject affair of her song'southward lyrics, contending they sound like she molests children with a rusty fork. Charlie also tries in vain to become Frank to say "boy's soul" rather than "boy's hole" in his song.
Charlie tracks down The Waitress, giving her a ticket and telling her that he will never bother her once again if she attends.
On the night of the show, the gang is excited to perform for an audience. However, some drama ensues when Dee ad-libs a song clarifying that she's non interested in children, much to Charlie's chagrin. Mac gets laughs when he comes on stage every bit The Nightman, much to his dismay.
The Troll sings to The Nightman that he has to pay the Troll Cost to become the boy's soul, although Frank's pronunciation results in him saying "hole" instead of "soul." Mac hops onto Dennis in bed, who points out that Mac has an erection. Dennis transforms into the Dayman and kills the Troll with a handgun. The Dayman fights the Nightman and pulls his heart out. The remaining bandage members then join together for an ensemble reprise of "Dayman," which Dennis and Charlie came up with in the earlier episode "Sugariness Dee'south Dating a Retarded Person"
Post-obit "The Dayman" reprise, Charlie swoops down from a sun from above the phase, wearing a yellow outfit, singing "Marry Me" to The Waitress as a wedding proposal to her. This awkward moment reveals his truthful motivation in penning and putting on an unabridged musical. Unsurprisingly, Charlie'south gambit is all for zilch, as she declines his proposal and storms out.
Production [edit]
The Dayman was start introduced as a vocal written by Charlie Kelly and Dennis Reynolds in the ninth episode of the 3rd flavour, "Sweet Dee's Dating a Retarded Person." Glenn Howerton explained: "Scott Marder and Rob Rosell wrote the episode and the lyrics: 'Dayman, fighter of the Nightman, champion of the dominicus / He's a master of karate and friendship for everyone.' Which are just the worst fucking lyrics ever, which is exactly what we wanted."[1]
The unexpectedly enthusiastic reception of the Dayman song inspired the bandage to devise a musical episode, only ane "organic to the tone of the series." One of the initial ideas was the musical being an elaborate prank with a rival bar but that concept was somewhen abandoned.[one] "Nosotros finally realized: Maybe Charlie writes the musical and our characters are just so fucking vain that we can't stomach the thought of Charlie getting other people to practise it," said Howerton.[one] "Any time we deal with that kind of subject matter, I similar to think information technology'south coming from a more intelligent place," Charlie Day explained. "A rape joke is not remotely a funny matter; a human writing a musical that he thinks is about self-empowerment, and non realizing that all his lyrics audio similar they're about a child beingness molested, is a funny affair. The joke is coming from defoliation and misunderstanding, which are archetype tropes of all one-act."[1]
Near of the music in the episode was written past Twenty-four hours and composer Cormac Bluestone.[ane] "I said, 'Permit me go off and write some of the songs and lyrics,' and I went to the piano," Day said. "We'd already had the Dayman vocal, so I pulled out the 'Troll Price' and 'Tiny Male child, Piddling Boy' songs."[1] The episode was performed in front of background actors who didn't accept any context for the musical so their bemused reactions were genuine.[one] Manager Matt Shakman told the cast, "Just exercise it all the way through."[one]
"I got Artemis Pebdani to act similar the stage manager of the event and actually come up out and practice the spoken language that you lot always hear in shows nigh where the fire exits are," Shakman said.[i] "I recall a lot of confused faces equally nosotros were performing," Rob McElhenney recalled. "People [who weren't familiar with the testify] were wondering why information technology was funny… But I ever go back to Glenn and Charlie; if they're however laughing, then I know it's funny."[1]
Stage accommodation [edit]
Glenn Howerton in costume as The Dayman.
In September 2009, the bandage took their show live. The "Gang" performed the musical The Nightman Cometh in New York City, Boston, Seattle, San Francisco, Los Angeles, and Philadelphia.[2] Mary Elizabeth Ellis and Artemis Pebdani besides appeared in the functioning equally The Waitress and Artemis. Extra Rhea Perlman (married woman of Danny DeVito) assumed the role of Gladys.[iii]
McElhenney said that Live Nation originally approached the cast about doing the show in xxx cities, simply the cast settled on half-dozen.[iv] Howerton described the bear witness as "substantially an expanded version of the actual episode of "The Nightman Cometh", which was the final episode for season four. There are some added moments, added scenes, added songs, and extended versions of songs that already existed."[5] Two new songs were included in the performance and a longer running time immune for greater improvisation by the actors. The performance was also preceded by a preview screening of a season v episode.
The Los Angeles operation, filmed at The Troubadour, was included as a bonus characteristic on the season four DVD box set.
Trivia [edit]
The title of Charlie's play is a reference to Eugene O'Neill'south classic play The Iceman Cometh. O'Neill's play is described as being well-nigh "dead-end alcoholics who spend every possible moment seeking oblivion in one another'south company and trying to con or wheedle free drinks from Harry and the bartenders", which is a expert clarification of the gang.
References [edit]
- ^ a b c d e f g h i j Forest, Jennifer One thousand. "The Nightman Cometh: The Oral History of the Greatest 'Information technology's Always Sunny' Episodes Ever". GQ . Retrieved 2020-09-14 .
- ^ Matheson, Whitney (August 6, 2009). "The 'Nightman Cometh' to a city about you". USA Today . Retrieved October vii, 2011.
- ^ Goldman, Eric (April xx, 2009). "It's Ever Sunny in Philadelphia: Alive!". IGN. Retrieved October vii, 2011.
- ^ Tucker, Alyssa (August 4, 2009). "Rob McElhenney & Glenn Howerton Interview". Wink Flood Media. Retrieved Apr 26, 2014.
- ^ "Glenn Howerton Talks "It's Always Sunny In Philadelphia" And More!". Icon vs. Icon. September sixteen, 2009. Retrieved October 7, 2011.
External links [edit]
- "The Nightman Cometh" at IMDb
Source: https://en.wikipedia.org/wiki/The_Nightman_Cometh
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